ARC浮世絵ポータルデータベース/Ukiyo-e Portal Database 検索結果(簡易情報)

3 件の内 1 件目から 3件目を表示中

English»

件目に 件表示で

整列・絞込     新規検索     小画像 中画像

サムネイル画像をクリックすると、「画像+詳細情報」画面に移ります。

作品No. JA13108 CoGNo. JA13108 Co重複: 1 AlGNo. JA13108 Al重複: 1 出版年: 1854 () 月日 9 地: 江戸 / Edo 出版備考: 寅九 順No.:( )
絵師略称 豊国〈3〉 絵師Roma Toyokuni (3) 落款印章 豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師 佐七刻 Sashichi Koku 画中文字人名 つち屋梅川[3]岩井粂三郎 / Iwai Kumesaburô III as Umekawa from Tsuchiya 改印 判型 大判/錦絵 / ôban nishikie 続方向 作品位置 001:001/03;03 異版
作品名1 つち屋梅川 ( つちやうめかわ ) 1印No. 1板元No. 1板元名 加賀屋 吉右衛門 / Kagaya Kichiemon 板元文字
作品名2 ( ) 2印No. 2板元No. 2板元名 板元備考
分類 役者絵, yakushae  画題   シリーズNo. 資料部門 浮世絵
作品No. JA13109 CoGNo. JA13109 Co重複: 1 AlGNo. JA13109 Al重複: 1 出版年: 1854 () 月日 10 地: 江戸 / Edo 出版備考: 寅九, tora kyū 順No.:( )
絵師略称 豊国〈3〉 絵師Roma Toyokuni (3) 落款印章 豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師 佐七刻 Sashichi Koku 画中文字人名 新口村孫右衛門 / Magoemon from the Shinguchi´s village 改印 判型 大判/錦絵 / ôban nishikie 続方向 作品位置 001:001/02;03 異版
作品名1 新口村孫右衛門 ( ) 1印No. 加賀屋 吉右衛門, Kagaya Kichiemon 1板元No. 1板元名 板元文字
作品名2 ( ) 2印No. 2板元No. 2板元名 板元備考
分類 役者絵, yakushae  画題   シリーズNo. 資料部門 浮世絵
作品No. JA13110 CoGNo. JA13110 Co重複: 1 AlGNo. JA13110 Al重複: 1 出版年: 1854 () 月日 10 地: 江戸 / Edo 出版備考: 寅九, tora kyū 順No.:( )
絵師略称 豊国〈3〉 絵師Roma Toyokuni (3) 落款印章 豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師 佐七刻 Sashichi Koku 画中文字人名 かめ屋忠兵衛 [2]片岡我童 / Kataoka Gadô II as Kameya Chûbei 改印 Aratame改 判型 大判/錦絵 / ôban nishikie 続方向 作品位置 001:001/01;03 異版
作品名1 ( ) 1印No. 1板元No. 1板元名 加賀屋 吉右衛門, Kagaya Kichiemon 板元文字
作品名2 ( ) 2印No. 2板元No. 2板元名 板元備考
分類 役者絵, yakushae  画題   シリーズNo. 資料部門 浮世絵
作品No. JA13108 配役 つち屋梅川 [3]岩井粂三郎 / Iwai Kumesaburô III as Umekawa from Tsuchiya 
興行名 初紅葉小倉色紙 よみ はつもみじおぐらのしきし 場立
外題 恋飛脚大和往来 よみ こいびきゃくやまとおうらい, Koi-bikyaku Yamoto Ôrai 場名
所作題 よみ 音曲種
細目種 よみ 上演年 嘉永 1854・8 25 場所 江戸 劇場 中村
作品No. JA13109 配役 新口村孫右衛門 [4]坂東彦三郎 / Bandô Hikosaburo Magoemon from the Shinguchi´s village 
興行名 初紅葉小倉色紙, The first autumn leaves on Ogura's colored paper よみ はつもみじおぐらのしきし 場立
外題 恋飛脚大和往来 よみ こいびきゃくやまとおうらい 場名
所作題 よみ 音曲種
細目種 よみ 上演年 嘉永 1854・8 25 場所 劇場
作品No. JA13110 配役 かめ屋忠兵衛 [2]片岡我童 / Kataoka Gadō II as Kameya Chûbei 
興行名 初紅葉小倉色紙 / The first autumn leaves on Ogura's colored paper よみ はつもみじおぐらのしきし 場立
外題 恋飛脚大和往来 / Koi-bikyaku Yamoto Ôrai よみ こいのたよりやまとおうらい 場名
所作題 よみ 音曲種
細目種 よみ 上演年 嘉永 1854・8 25 場所 江戸 劇場 中村
作品No. JA13108  
画中文字
組解説 The play "Meido no Hikyaku" was originally written for the puppet theater (Bunraku) by Chikamatsu Monzaemon and staged for the first time in Ôsaka at the Takemotoza in the 3rd lunar month of 1711. It was based on a real event that happened in Ôsaka the 5th of the 12th lunar month of 1710: a messenger named Chûbê was executed because he used some official money, which was entrusted to him, for the love of a courtesan named Umegawa. Chikamatsu Monzaemon was not the first author to work on this theme: the first drama was "Keisei Kuhonji Jôdo", which was staged in the 1st lunar month of 1711 in Kyôto at Miyako Mandayû's theater and starred Hanaoka Bunzaemon and Yamamoto Kamon in the roles of Chûbê and Umegawa. There was also a similar drama staged in Ôsaka in Spring 1711, starring Otowa Jirosaburô I and Sodeshima Genji in the roles of Chûbê and Umegawa (title unknown). Chikamatsu's rival Ki-no-Kaion wrote also his own version, entitled "Keisei Sandogasa", which was staged in the 10th lunar month of 1713 at the Toyotakeza. A Kabuki drama similar to "Meido no Hikyaku" was written by Namiki Shôzô I and staged under the title "Koi no Tayori Yamato Ôrai" (an other possible reading is "Koi no Hikyaku Yamato Ôrai") in the 7th lunar month of 1757 in Ôsaka at the Ônishi no Shibai (casting unknown). Another drama, which had a deep impact on the current contents of "Koi Bikyaku Yamato Ôrai", was written for the puppets by Suga Sensuke and Wakatake Fuemi, which was staged under the title "Keisei Koi no Hikyaku" in the 12th lunar month of 1773 at the Toyotakeza. It was adapted for Kabuki in the 2nd lunar month of 1796 at the Kado no Shibai [casting]. https://www.kabuki21.com/kbyo.php 個別解説
組備考 個別備考
作品No. JA13109  
画中文字
組解説 The play "Meido no Hikyaku" was originally written for the puppet theater (Bunraku) by Chikamatsu Monzaemon and staged for the first time in Ôsaka at the Takemotoza in the 3rd lunar month of 1711. It was based on a real event that happened in Ôsaka the 5th of the 12th lunar month of 1710: a messenger named Chûbê was executed because he used some official money, which was entrusted to him, for the love of a courtesan named Umegawa. Chikamatsu Monzaemon was not the first author to work on this theme: the first drama was "Keisei Kuhonji Jôdo", which was staged in the 1st lunar month of 1711 in Kyôto at Miyako Mandayû's theater and starred Hanaoka Bunzaemon and Yamamoto Kamon in the roles of Chûbê and Umegawa. There was also a similar drama staged in Ôsaka in Spring 1711, starring Otowa Jirosaburô I and Sodeshima Genji in the roles of Chûbê and Umegawa (title unknown). Chikamatsu's rival Ki-no-Kaion wrote also his own version, entitled "Keisei Sandogasa", which was staged in the 10th lunar month of 1713 at the Toyotakeza. A Kabuki drama similar to "Meido no Hikyaku" was written by Namiki Shôzô I and staged under the title "Koi no Tayori Yamato Ôrai" (an other possible reading is "Koi no Hikyaku Yamato Ôrai") in the 7th lunar month of 1757 in Ôsaka at the Ônishi no Shibai (casting unknown). Another drama, which had a deep impact on the current contents of "Koi Bikyaku Yamato Ôrai", was written for the puppets by Suga Sensuke and Wakatake Fuemi, which was staged under the title "Keisei Koi no Hikyaku" in the 12th lunar month of 1773 at the Toyotakeza. It was adapted for Kabuki in the 2nd lunar month of 1796 at the Kado no Shibai [casting]. https://www.kabuki21.com/kbyo.php 個別解説
組備考 個別備考
作品No. JA13110  
画中文字
組解説 The play "Meido no Hikyaku" was originally written for the puppet theater (Bunraku) by Chikamatsu Monzaemon and staged for the first time in Ôsaka at the Takemotoza in the 3rd lunar month of 1711. It was based on a real event that happened in Ôsaka the 5th of the 12th lunar month of 1710: a messenger named Chûbê was executed because he used some official money, which was entrusted to him, for the love of a courtesan named Umegawa. Chikamatsu Monzaemon was not the first author to work on this thema: the first drama was "Keisei Kuhonji Jôdo", which was staged in the 1st lunar month of 1711 in Kyôto at Miyako Mandayû's theater and starred Hanaoka Bunzaemon and Yamamoto Kamon in the roles of Chûbê and Umegawa. There was also a similar drama staged in Ôsaka in Spring 1711, starring Otowa Jirosaburô I and Sodeshima Genji in the roles of Chûbê and Umegawa (title unknown). Chikamatsu's rival Ki-no-Kaion wrote also his own version, entitled "Keisei Sandogasa", which was staged in the 10th lunar month of 1713 at the Toyotakeza. A Kabuki drama similar to "Meido no Hikyaku" was written by Namiki Shôzô I and staged under the title "Koi no Tayori Yamato Ôrai" (an other possible reading is "Koi no Hikyaku Yamato Ôrai") in the 7th lunar month of 1757 in Ôsaka at the Ônishi no Shibai (casting unknown). Another drama, which had a deep impact on the current contents of "Koi Bikyaku Yamato Ôrai", was written for the puppets by Suga Sensuke and Wakatake Fuemi, which was staged under the title "Keisei Koi no Hikyaku" in the 12th lunar month of 1773 at the Toyotakeza. It was adapted for Kabuki in the 2nd lunar month of 1796 at the Kado no Shibai [casting]. https://www.kabuki21.com/kbyo.php 個別解説
組備考 個別備考
作品No. JA13108 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
所蔵者URL https://www.ucm.es/
所蔵者著作権表示 CC BY 4.0
所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/
作品No. JA13109 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
所蔵者URL https://www.ucm.es/
所蔵者著作権表示 CC BY 4.0
所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/
作品No. JA13110 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
所蔵者URL https://www.ucm.es/
所蔵者著作権表示 CC BY 4.0
所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/
エントランスへ     新規検索     ログイン

検索条件を入れたら下のボタンをクリックしてください。

Copyright © 1999- Art Research Center, Ritsumeikan University, All Rights Reserved.